27 ARTISTIC STRATEGIES
to build your contemporary art career
SHORT MASTERCLASS BASED ON ART HISTORIAN'S TWO DECADES’ RESEARCH
- How to get involved in contemporary art scene and learn to describe what you are doing
- How to have a distinctive visual language and feel free to use any media, materials and visual solutions
- How to assemble the variety of projects and topics which ignite your passion into a cohesive body of work and make sure you’re moving in the right direction
- How to develop a coherent reflective approach to your artistic practice to make it worthwhile and rewarding
- How to establish yourself as a professional artist and get recognition from audience, collectors, dealers and art critics
- How to establish yourself as a professional artist
- How to assemble the variety of projects and topics and techniques which ignite your passion into a cohesive body of work and make sure you're moving in the right direction
- How to have a distinctive visual language and feel free to use any media, materials and visual solutions
- How to get involved in contemporary art scene and learn to describe what you are doing
Hi! I'm Caroline Pes
I help artists to conceptualize and strategize their artistic practice.
- Art historian, lecturer, methodologist, university tutor. I educate art professionals.
- Artist mentor. I help to build the strategy and get involved into the contemporary art scene.
- 18 years of lecturing and contemporary art research
After watching my free online lecture you’ll know:
What is artistic practice strategizing? What elements does it consist of? When do artists need it and when can they do without it?
We will also look at examples of artistic strategies in the works of successful contemporary artists.
We also look at examples of artistic strategies in the works of successful contemporary artists.
In my free online lecture you’ll learn:
What is artistic practice strategizing? What elements does it consist of? In which cases does artists need it and in which cases can they do without it?
What is artistic practice strategizing? What elements does it consist of? In which cases does artists need it and in which cases can they do without it?
I help artists conceptualize and strategize their artistic practice
- Art historian, lecturer, methodologist
- Mentoring for artists
- Have been researching contemporary art and giving lectures for 18 years
